H.Om.E 四個字母分別代表遺產、梵文的種子音ॐ以及地球建築

透過三個不同的文化領域，在智利、泰雅以及西藏，創造 平行且非線性的歷史軸線，我們試圖使這些荒野在天文、 紡織、建築以及數據層面上產生連繫，以產生一個統一的 敘事，科幻式的以星球史取代世界史，來討論何謂現代性以及真實的家園。透過數據視覺化和非人化遺產文史，使其能夠擺脫權力 以及賦權語境的束縛，將人/非人等二元對立放回到歷 史脈絡和中進行拆解，以演算法機制做為書寫風格使其 自動化並賦予自我意識，討論使遺產文史自我生長的可能性以及其潛在意義。目前，本研究調查仍在進行中，本介紹文件概述了當前的 調查工作進度以及歸納目前所嘗試的方法。

為什麼使遺產資料自動化並擁有自己的意識?

1. 首先這是一個推測概念設計，透過非人化遺產資料使 其去中心化，避免重新塑造了以「人」為中心的權力索討思維。
   
2. 設計一個虛構的自動化機器來連繫三個非連續的文化 主體可以是一種藝術手段，以非線性的宇宙觀來討論帝國主義和國家主義藉由區域藝術史散播的情形。
   
3. 挑戰現有遺產保存、藝術史書寫領域的主導典範，改變 歷史化實踐的方式，並從內部去重新設計它。以批判性虛構作為講述喚醒另類歷史的方式。
   
4. 設計以人類遺產資料做為運算語言的自動化運算系 統，是在演算法語境下最低限度的參與意識科學的途徑。
   

H.OM.E. STOOD FOR HERITAGE, THE SANSKRIT WORD ॐ. AND EARTHSHIP 

Through three distinct cultural domains in Chile, Atayal, and Tibet, we aim to create parallel and non- linear historical axes. We seek to establish connections in the realms of astronomy, textiles, architecture, and data, with the goal of generating a unified narrative. We aspire to replace world history with a science fiction- inspired planetary history, engaging in discussions about modernity and the concept of a true homeland.
Through data visualization and dehumanization of heritage narratives, we aim to liberate them from the constraints of power and empowerment contexts. We seek to deconstruct binary oppositions such as human/ non-human, returning them to historical contexts. Utilizing algorithmic mechanisms as a writing style, we aim to automate heritage narratives and imbue them with self-awareness. Additionally, we explore the potential for self-growth within heritage narratives and discuss their underlying significance. Currently, this research project is ongoing, and this introductory document provides an overview of the current progress in our investigative work and summarizes the methods we are currently exploring.

WHY AUTOMATE HERITAGE DATA AND GIVE IT ITS OWN CONSCIOUSNESS?

1. First of all, this is a conceptual speculative design that decentralizes heritage data through dehumanization, avoiding the reformation of a human-centric power seeking mindset.

2. Designing a fictional automated machine to connect three discontinuous cultural entities can be an artistic means to discuss imperialism and nationalism through a nonlinear cosmology spread by regional art history.

3. It challenges the dominant paradigms in existing heritage preservation and art historical writing, transforming the ways of historicizing practices and internally redesigning them. Using critical fabulation as a method to narrate awakens alternative histories.

4. Designing an automated computational system using human heritage data as its computational language is a minimal approach to engaging in consciousness science within the algorithmic context.