雷射染 Laser Dye Project





雷射染計畫(The Laser Dye Project) 結合另類攝影與數位製造技術,透過自製可程式雷射振鏡系統的無遮罩曝光,在天然纖維或具微妙不均質感的有機材質上,製作出縫製服裝上的藍曬(新藍曬與范戴克棕)影像。這種無遮罩的顯影方式不僅能進行大面積曝光,還能支援多台雷射機器由不同角度同時列印。

此計畫獲得了多項國際肯定:2015 年 YouFab 全球創意大獎 Selected Work、YouFab Top 50 Selected Works,以及 2019 年 Reshape Top 10 Projects。並於 Reshape 2019 獲得 首獎,以及 2020 年羅馬時裝週 Altaroma 的 數位製造獎(由 Fondazione Mondo Digitale 頒發)。

該計畫的延伸作品 《如果時間是可穿戴且可折疊的》(If Time Was Wearable and Foldable),與服裝設計師陳奕妤及攝影師羅柏麟合作完成。陳奕妤以方形結構設計服裝,實驗雷射染料在折紙般結構紡織品上的光學特性,而羅柏麟的攝影則捕捉了光線、布料與形態交織的成果。

The Laser Dye Project merges alternative photography with digital fabrication by producing cyanotype prints (New Cyanotype and Vandyke Brown) on sewn garments made from natural fibers or delicate, uneven organic substrates. Using maskless laser exposure with a DIY programmable laser galvanometer system, the process translates light directly onto fabric without the need for physical masks. This approach not only allows large-scale exposures but also enables multi-angle printing with several laser machines.

The project has been widely recognized: it was awarded Selected Work in the YouFab Global Creative Awards (2015), named among the Top 50 Selected Works of YouFab, and chosen as one of the Top 10 Projects of Reshape 2019. It went on to win First Prize at Reshape 19 and the Digital Fabrication Prize at Altaroma Rome Fashion Week (2020), presented by Fondazione Mondo Digitale.

One branch of the project, If Time Was Wearable and Foldable, was developed in collaboration with fashion designer Yiyu Chen and photographer Bo-Lin Lo. Chen designed garments using square-based patterns to explore the optical properties of laser dye on textiles shaped through origami-like folding, while Lo’s photography captured the resulting interplay of light, fabric, and form.